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Showing posts with label steampunk. Show all posts
Showing posts with label steampunk. Show all posts

Thursday, June 21, 2012


Ripper – Stefan Petrucha

Put away your fangs, vamps. Retract your claws, werewolves. Stop flapping your wings, angels. See a dietician about your bad eating habits, zombies. The original big bad bogeyman is back and ready for a smackdown in your overcrowded Y.A. market – that would be Ripper. Jack the Ripper.  In the past year alone, no less than three Y.A. books have revisited the Ripper murders – first, as a modern update (Maureen Johnson’s excellent, The Name of the Star, which is set to be a series), then as a historical retelling (Amy Carol Reeves’ Ripper), and now as a steampunk reimagining of Ripper loose in 1890s New York City in Stefan Petrucha’s Ripper.


Ripper opens with Saucy Jack seemingly picking up where he left off seven years earlier in Whitechapel (a suburb of London) where he notoriously stabbed and mutilated the bodies of five women (http://en.wikipedia.org/wiki/Jack_the_ripper).  The killings abruptly stopped and the notorious serial killer was never caught, though to this day, numerous theories abound as to his identity. But what if they stopped overseas because Jack packed his knives and moved across the Atlantic? Hmm…

When two socialites end up dead Ripper-style in 1895 New York City, young NYC Police Commissioner Teddy Roosevelt seeks to assure the public that the killer will be caught – and squash the rumor that it’s Jack the Ripper, as letters written in the original Ripper’s handwriting to the newspapers and police would have them to believe. Enter undercover agent Albert Hawking and his 14-year-old orphaned protégé, Carver Young. Hawking has just recently taken Carver under his wing to train the boy to be a part of the New Pinkertons, a secret detective agency bent on using new gadgetry to help solve difficult crimes. The New Pinkertons have studied the original Ripper murders and letters and believe ol’ Jack is indeed alive and well and recreating his murders to impress someone very important to the killer – his son. His son, y’say? What son?! Why it seems none other than young Carver Young is Ripper Jr. - dun dun DUN!!

Before leaving the orphanage with Hawking, Carver manages to sneak into his file and steal a letter his father had sent to him there. Carver can tell from the letter that is father is shady, but little does he know daddy’s the most infamous serial killer on the planet! As the murders continue and tension in the city mounts, Hawking allows the boy to slowly figure things out for himself, so Carver can best decide how to handle the disturbing revelation and help stop his dad.

Told in brief but high action chapters (85 to be exact!), Ripper rips along at a good pace with a fun cast of characters - some real, such as Jack the Ripper, Teddy Roosevelt and his outspoken daughter, Alice, and Sarah Edwards, the crazy cat lady cat killer. Cool gadgets like rudimentary stun guns, one-man elevators, speaking tubes, office periscopes, and electric carriages all make appearances, and Petrucha knows how to keep those plot twists coming – so much so, that I didn’t see the big reveal at the end coming at all…and I’m not completely sure I buy it. That said, it’s a fun enough read and leaves the door open for more adventures for Carver and the New Pinkertons.

You can learn more about the author, book and view the Ripper book trailer at  http://www.petrucha.com/Books/Ripper.htm .

Monday, June 18, 2012


The Masque of the Red Death – Bethany Griffin

First off, fist pound to Edgar Allan Poe who is the ONLY old school author students universally love. Nathaniel Hawthorne? Nothing but haterade. Mark Twain? Sadly underappreciated. F. Scott Fitzgerald? One big 'meh.' Harper Lee? Love or hate. But Poe? In my 20 years of school librarianhood, I’ve never met a tween or teen who didn’t think Poe was THE MAN. It is a fact that any edition of The Complete Works of Poe will get the most 800s check-out love. God bless you and your dark musings, Mr. Poe.

Bethany Griffin’s The Masque of the Red Death, the first in a series, isn’t so much a rewrite of the Poe short story as a steampunk re-imagining of the back story behind Poe’s tale. In a world decimated by a deadly plague, how do the remaining survivors carry on? Do they live as if nothing is happening outside their windows or weep and wait in a dark corner for sure death? In Griffin’s world as in Poe’s, one’s social status has a little to do with that answer…


Araby Worth is the daughter of the scientist who created special porcelain masks that, if worn, keep away the contagion. Of course, only the rich can actually afford these masks so only the rich are afforded the luxury of stepping over the poor dead bodies in the street on the way to their nightly visits to the Debauchery Club – which is just that, a club with drugs, sex and 1800s-style rock ‘n’ roll. Araby lives locked away with her father and mother in the Akkadian Towers, apartments which rise high above the city further protecting them from the death and disease below, except when Araby goes out with bestie April to The Debauchery Club. Decked out in their expensive, corseted gowns, with their vivid-hued hair and glittery make-up,  April and Araby take full advantage of their time partying with the privileged at the DC as a way to forget the death and chaos lurking outside its club walls.

Things change for Araby one night after a bad drug hit. Will, a maskless but oh-so-hot and tattooed club security guard, takes Araby back to his place to help her recover. There she meets Will’s younger brother and sister and sees first-hand how the other half live. Will’s young sister, Elise, is able to wear a mask since Will saved up money to buy one for her – his brother Henry isn’t so lucky. Araby determines to speak with her father and see if he can secure a mask for her to give to Henry.

Masks are scarce, though, even to Araby and her family since the city’s mad ruler, Prince Prospero (who also happens to be April’s uncle), only allows a certain number to be produced and sold. It’s his sadistic way of lording his power over the citizens and ensuring enough of the poor masses die so he can stay in control. Nice guy. Meanwhile, there’s another whack-a-doodle known as Reverend Malcontent, who is working underground to overthrow Prince Prospero, rid the city of masks and let God sort it all out. You’ll either die or not die, and God will be the ultimate determiner of that, so says the Rev.

Annnnnnd somewhere in the middle of these two crazies is April’s brother, Elliott. Elliott can’t stand his uncle because, duh, PP’s sick and twisted AND he killed April and Elliott’s father in front of them with a knife across daddy's throat. Therapy for the two isn’t available – but revenge is! Elliott sanely reasons if enough masks can be produced, then rich and poor both can be protected, Prospero can be overthrown, and order and life possibly restored to the city. To achieve this, Elliott sets his sights on Araby – afterall, a hook-up with Araby means access to her dad’s information on producing the masks. Clever. Transparent, but clever.

The first half of the book drags a bit as Griffin sets all this up, but once this back story is out of the way, the action really takes flight and the characters come to life. Why do Araby’s parents treat her so coldly? What happens to April when she mysteriously disappears after a night at the DC with some older men? Prince Prospero, Reverend Malcontent and Elliott – who’s the real Big Bad in all this? And what of the love triangle with Araby, Elliott and Will – who truly cares for Araby and will be able to break the porcelain mask she figuratively wears to protect her heart? Just when you think you've got it all sorted, Griffin throws in a plot twist and leaves you guessing again! What's worse, since it's the first in a planned series, don't expect things to wrap up into one nice, big, velvety gothic bow bustle at the end either. The cruelty...
Griffin is currently a middle school teacher who appreciates the importance of pairing current Y.A. literature with the classics. Can’t help but feel in this case, Poe would approve. To learn more about Bethany Griffin and this book, check out her website at http://www.bethanygriffin.com/masque.html .